Thursday, May 7, 2009

Jimmy Reed For Gypsy Rose Wine

http://thehoundblog.blogspot.com/2009/05/jimmy-reed-for-gypsy-rose-wine.html

THEHOUNDBLOG
STILL ALIVE AND WONDERING WHY?

THURSDAY, MAY 7, 2009
Jimmy Reed For Gypsy Rose Wine





I love Jimmy Reed. As a singer, guitarist, and songwriter he was the greatest, and the drunkest. I assume you're all familiar with Jimmy Reed's Vee Jay LP's- I'm Jimmy Reed, Rockin' With Reed, Best Of Jimmy Reed, Found Love, t'ain't no big thing but HE is...Jimmy Reed, and Just Jimmy Reed. All his Vee Jay sides are great, but the earliest, maroon label singles and LP's are greatness personified. He made it sound so simple. That said, I love this spot Jimmy did for Gypsy Rose Wine in the early 70's. I heard it as a kid on WLAC, a Nashville station that I could pick up in Florida on rainy nights, it took decades to track it down (if I could only find the Bo Diddley hair straighter spot!), and now here it is again, my present to you readers. Jimmy needed a little help getting through the thing, so his son Jimmy Reed Jr. aka Boonie is actually reading the ad copy. Jimmy must have gotten into the product before the recording started. The Gypsy Rose Wine (a fortified wine like MD 20/20, Night Train and Thunderbird) folks really understood their market. Somewhere in my archives I have a print ad that Carl Perkins did for a toupee company.
I'll try and dig that out one of these days. Come to think of it, Jimmy Reed also wore a toupee ...maybe that was the secret their success? The Rock'n'Roll Hall Of Fame should build a wing for drunk guys in toupees...

(CLICK ON THE LINK TO ORIGINAL BLOG TO HEAR)

Monday, May 4, 2009

Yet A Few More Good Borrowed Images


Venus Flytrap: Big Mouth variety



From it's deadlicious™:

The Spotnicks


From Mexican Chocolate Design:



John Fante & his dog named Stupid:



From jovan radakovich:

"I wish at any cost to be alone," said the statue with the eternal look.
Wind, wind that cools my burning cheeks. And the terrible battle began.
Broken heads fell, and skulls shone as if they were of ivory.
Flee, flee toward the square and radiant city. Behind, devils whip me
with all their might. My calves bleed horribly. Oh the sadness of the lonely
statue down there. Beatitude.
And never any sun. Never the yellow consolation of the lighed earth.
It desires.
Silence.
It loves its strange soul. It has conquered.
And now the sun has stopped, high in the center of the sky.
And in everlasting happiness the statue immerses its soul in the
contemplation of its shadow.

Giorgio de Chirico 1912


From North Folk Sound:

Ivy Rorschach, Lux Interior
N. Edgemont St, Los Angeles
photo: ht

Food Freedom is under Assault, H.R. 759 Worse than H.R. 875

Food Freedom is under Assault, H.R. 759 Worse than H.R. 875

Food Freedom is under Assault, H.R. 759 Worse than H.R. 875
Friday, April 24, 2009 by: Ethan Huff, citizen journalist

(NaturalNews) Salmonella outbreaks, food contamination, and other regulatory deficiencies over the nation's food supply during the past several years have led to a barrage of proposed legislation aimed at improving food safety. H.R. 875, H.R. 759, and H.R. 1332, are three major bills that have been proposed in recent months to address food safety issues, all of which have been tailored to benefit large, industrial food processors at the expense of small, family farms. Watchdog groups, including the Cornucopia Institute, are warning that H.R. 759, expected to be voted upon before Memorial Day, is the bill most likely to make it out of committee to Congress for a vote. Various portions of H.R. 875 and H.R. 1332 are expected to be implemented within the final version of H.R. 759.

Authored and introduced by Rep. John Dingell (D-MI) on January 28, 2009, H.R. 759, The FDA Globalization Act, would do the very thing its name implies; it would grant full authority to the FDA to set minimum, "science-based" standards for what it deems the safe production and harvesting of produce in the "global market".

According to the Cornucopia Institute, all "food processing facilities", or farms, would be required to register with the FDA and pay annual registration fees for program compliance, as well as other requirements including hazard evaluation, preventive hazard control, and copious record-keeping stipulations, regardless of the farm's size, organic certification, or already-existing safety guidelines.

Similar to H.R. 875, H.R 759 makes no differentiation between "food processing facilities", lumping everything from a small, certified-organic family produce farm to a large, conventional factory farm in its "one-size-fits-all" classification system. In other words, the same regulations placed on large agribusiness would be placed on farmers providing fresh vegetables at the local farmers market. There is also no differentiation in the bill between organic farms, which are already highly regulated and have extremely high standards, and their pesticide-ridden conventional counterparts.

Rather than logically evaluating the root causes of food contamination, which are almost always caused by filthy food processors not maintaining proper standards, these "food safety" bills seem to economically disparage family farms in favor of factory farms and transfer ever-more control over food to the FDA, an odious federal bureaucracy that is unable to enforce the food safety guidelines that are already established.

With the exception of H.R. 875, the food safety bills that have been proposed fail to identify and examine the real causes of food contamination and, instead, tack excessive burdens onto farmers, thus putting many small farms out of business. Even H.R. 875, while mentioning the importance of "identifying and evaluating the sources of potentially hazardous contamination," represents an enormous shift in power from the individual to the state, representing ominous implications for food freedom.

Since foods such as spinach, peppers, almonds, peanuts, and others for which there have been recent contamination outbreaks are not inherently dangerous, it is vital for any food safety legislation to seek to identify the root causes of contamination and deal with them accordingly. Whether it is the filthy animal feedlot up the road that has contaminated with salmonella the water used by the nearby spinach farm, or the improper cleaning of peanut-processing equipment by the industrial peanut processor, the contamination source is virtually never the farm itself, but some other link in the food processing chain. Yet H.R. 759 targets farms with more regulation, particularly disadvantaging small farms. Thus it is important to make Congress aware of the facts and to urge a redirection of food safety efforts towards the real culprits rather than the farmers.

Since H.R. 759 has been referred to, and remains in, the House Energy and Commerce committee, it is important to act now and en masse to oppose it and any food safety legislation that would harm organic and family farms, increase FDA power over the nation's food supply, and bolster Big Agribusiness by squelching competition with one-size-fits-all regulations aimed at putting out of business small farms.

Additionally, any true food safety legislation should require independent analysis into the root causes of food contamination rather than penalize the "food processors" (farms) with overbearing regulatory burdens while allowing the real perpetrators to continue their unacceptable practices.

Henry Waxman (D-CA), Chairman of the Committee on Energy and Commerce, can be contacted at (202) 225-2927. Congress can also be contacted by visiting http://www.congress.org/congressorg... or by calling the Capitol Switchboard at (202) 224-3121.

The Cornucopia Institute also provides a sample letter that can be downloaded, modified, and sent to one's elected officials.

Now is the time to speak out against illegitimate "food safety" bills in order to protect access to clean, healthy, local food, not to mention the freedom to grow it, sell it, and buy it.

Sources:
Govtrack.us - H.R. 759
The Cornucopia Institute
Committee on Energy and Commerce
Congress.org

They Had Faces Then: Civic Portraiture Edition #1

http://tsutpen.blogspot.com/2009/05/they-had-faces-then-civic-portraiture.html

FROM THE BLOG:
If Charlie Parker Was a Gunslinger,
There'd Be a Whole Lot of Dead Copycats
An Ongoing Series of Cultural and Personal Observations;
by Tom Sutpen, Stephen Cooke, Richard Gibson and Kimberly Lindbergs

May 03, 2009
They Had Faces Then:
Civic Portraiture Edition #1



this was posted by Tom Sutpen
for the series: They Had Faces Then: Civic Portraiture Edition

The Relevant Quote:
"And, of course, that is what all of this is - all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs - that song, endlesly reincarnated - born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 - same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Saturday, May 2, 2009

SO MANY RECORDS, SO LITTLE TIME: Spirit

SO MANY RECORDS, SO LITTLE TIME: Spirit

(From SO MANY RECORDS, SO LITTLE TIME Blog)
SATURDAY, MAY 2, 2009
Spirit






(Go to the original blog to hear the songs)

Luckily, despite the revolution in stereophonic sound that was going hand in hand with the album format of 1968, most singles were still issued in mono. Such was the case for Spirit's first release, on both the promo (listen above) and stock copies. 'Mechanical World' epitomized the dark side of the LSD generation, and defined late night radio. I always had fantasies of this and many tracks by The Doors being the soundtrack to driving through a pitch dark desert in the wee hours. God knows why - I'd never even been to a desert. There wasn't one near Syracuse although I certainly felt like I was growing up somewhere equally deserted, hence the possible connection in my brain.

I loved Spirit from the get go. They didn't sound English which was a strict requirement, but thankfully they didn't sound Americana either. Plus they looked good. LA bands tended to.

Somehow rather quickly, Spirit had a hit with their second 45, 'I Got A Line On You'. It was welcomed. Their albums were great and hearing them on Top 40 radio made us all feel liberated. Things were pretty good on the airwaves. The Who and The Cream were getting some play, as were Big Brother & The Holding Company, Iron Butterfly and The Crazy World Of Arthur Brown. I was rather content.

'Dark Eyed Woman' was the lead track and first single from the difficult 3rd album CLEAR. Difficult (as a second album is known to be these days) because they'd had a hit despite the 'album band' and 'live band' habitat from which they came. Top 40 was developing it's evil lack of loyalty way back then, and 'Dark Eyed Woman' didn't get much play. But FM radio, much like today's Sirius satellite stations, made up for it. Touring in support of it's release, I finally got to see the band live. Despite how fantastic they were - and believe me, fantastic is putting it mildly, I was reeling from the support acts that night (October 18, 1969): The Kinks and The Bonzo Dog Band. Reeling indeed.

It was The Kinks first US show after the three year musician's union ban. They had just released ARTHUR, much of which they played along with tracks from THE VILLAGE GREEN PRESERVATION SOCIETY, 'Waterloo Sunset', 'Autumn Almanac', 'Sunny Afternoon', 'Death Of A Clown' and 'Til The End Of The Day', their opening song. Jawdropping. Plus third on the bill: The Bonzos. I walked out of the venue never to be the same again.

I digressed, sorry.

Spirit released '1984', a non LP single, next. This was not a common move in the day. Still, it's forever attached to Spirit's CLEAR era, being of same time period. Actually, '1984' only ever appeared on LP once BEST OF SPIRIT was issued years later. The year 1984 seemed an eternity away on release and the record contributed to a political and ecological slant the band had taken from inception. Remember 'Fresh Garbage' from that first album?

Many rightfully consider the original lineup's fourth and final album, THE TWELVE DREAMS OF DR. SARDONICUS, to be their art rock pinnacle. At least I read something to that effect recently. The two singles released from it are seminal. In fact the first, 'Animal Zoo', came out seemingly months prior to the album. I swiped it from a local album rock station whose late night dj occasionally let me visit. I honestly don't remember their call letters, and he was a rather unpleasant know-it-all. I once recall him adamantly arguing with me about Humble Pie, claiming all their members, instead of just one, were from The Small Faces (wrong) and that none were from The Herd or Spooky Tooth (wrong) - which I desperately tried to point out for his benefit. He wasn't having it, his loss. Nonetheless, I would tolerate him to get the records. This became mine one summer night along with the Juicy Lucy, Sea Train and Vivian Stanshall singles.

posted by so many records, so little time at 12:01 am

A Few More Good Borrowed Images

From Dire:


From Steve:


From McEown:


See Out on Parole with T. Tex Edwards at Roadhouse Rags/South Austin Sunday, May 31st:


From Phillip:


From Joe Nick:


From Vincent:

Friday, May 1, 2009

The Spee-Lunker Cave Music & Sounds

http://www.angelfire.com/hi/funnyspring/speelunker.html

The Spee-Lunker Cave Music & Sounds

Listen to the ride-through audio mp3 download! The mp3 link below is the most important content on this page. Skip it and you've missed everything! This page was created for and centers around this audio creation. Mixed in life-like stereo. Crank up your stereo speakers or headphones.
(Go to the original page to hear these amazing sounds)

But, wait! There's more! Much, much more below on this page. If you are a Spee-Luker Cave fan, this is the web-page you have dreamed of!



Did you ever ride "The Spee-Lunker Cave" at Six Flags Over Texas during the 1960's and 1970's? Remember that mysterious, mesmerizing music? Ever wish you could ride it again? Well, this page is about as close as you can get due to my exhaustive efforts at reconstructing my recollections of this ride.

As a youth in the 1960's, I memorized this ride including the music and sound effects. I have still retained much of that and decided to document as much as I could, while I could. I have done so in three or so different forms, one of them being a ride-through audio replication. It is like riding one of the little boats through the ride with a stereo recorder going. Like sending your ears back in time. It was not that simple for me though, since the ride and all records and plans of the original 1960's version have perished.

So, how did I do it?

The audio recording actually began many years ago as I discovered my music collection contained a couple of the pieces of music that were used in The Cave. Sometime during 2000, I was drawn into the idea of creating this audio project. Here and there I began collecting either identical or similar music and sounds of this ride. Toward the "end" of my collecting phase is where I struggled to learn to use an audio mixing and editing application. After I decided my collection was "complete", I began laying down tracks, looping, editing and mixing. Some of the individual tracks began as a separate multi-track project as I had to craft many of the sound effects and some of the music. I lost count of the total number of tracks I had to work with, but it is somewhere between thirty and forty. The total number of sound files I created toward the progress of this final track are 95! Some of those contain multiple tracks within. There could be hundreds of clips altogether!

The most critical music loops are identical to the original ride. I carefully auditioned substitutions for those where I could not obtain the originals. See the update box below for revisions and improvements. The result is a very close and convincing "feel" of the original ride in audio form. What I have provided in the link below is a MP3 file of my project. If you were a guest in this ride in the 1960's, you will be transported back in time! The ride-through (with new intro) is just under 6 minutes in length. I did take about 3 liberties adding sound clues to compensate for the absence of visual information: (1) I padded the entire ride-through with the gentle sound of rippling water to suggest we are riding on water, (2) At the lift and drop, I added a splashing sound, (3) During the thunderstorm, I added the sound of a Boatswain's Pipe to suggest the presence of a ship. Update: I have decided to remove the boatswain's pipe from the audio. Sorry to all of you who Googled boatswain's pipe. I guess I should remove the wording here, but then I want some history of this project to remain...

Gun Club Live 1982 in Paris

http://lickmypussyeddievanhalen.blogspot.com/2009/04/gun-club-king-flower-hour-bisquit-show.html?showComment=1239709920000#c3051692454428385244

FROM GARAGELAND BLOG:

12. April 2009
GUN CLUB - KING FLOWER HOUR BISQUIT SHOW NEW YORK 1982



Download: http://rapidshare.com/files/220535112/GUN_CLUB_-_KBFH_LIVE_1982.rar
Gepostet von Garageland
(Go to original blog for download)

Terry Graham's comments:
That King Biscuit thing is probably our first show in Paris which was broadcast live on the radio. I have a board tape of that show. My borrowed snare drum head busted so I threw the snare across the stage. I think I scared them...
We did a slow version of Black Train that night which I liked as much or better than the recorded version. Might have only played that one other time, I think, early on...
Yeah, we were pretty nervous that night. About 3000, sold out . Jeff joked about Jerry Lewis on stage. I don't think they got it. Went to a club after the gig and as soon as we walked in the dj played "Sex Beat." Our big rock star moment. Ha!