Showing posts with label whatevershebringswesing Yahoo group. Show all posts
Showing posts with label whatevershebringswesing Yahoo group. Show all posts

Tuesday, November 15, 2011

Singer-songwriter Jackie Leven has died of cancer at the age of 61





Jackie Leven has died of cancer at the age of 61

From THE TELEGRAPH's Donna Bowater: 
"Tributes have been paid to Leven, who enjoyed great critical acclaim but little commercial attention for his soulful music inspired by his colourful life. 

His career spanned four decades and included homeless spells for the Kirkcaldy contemporary of former Prime Minister Gordon Brown.

Born into a Romany family in 1950, Leven played in local bands as a young man before leaving Scotland when he attracted the attention of gangs.


He slept rough, spent time busking and became addicted to heroin as well as a heavy drinker.
But along the way, his distinctive works were hailed as masterpieces, taking in the characters and experiences he met with on his travels."



From WIKIPEDIA
"Doll by Doll were a London based rock band formed by Jackie Leven in 1975. They came to prominence during the New Wave period but were largely ignored by the music press of the time - their emotional, psyschedlic-tinged music was judged out of step with other bands of the time."

Cover (Remember:Doll by Doll)


From TROUSER PRESS' Ira Robbins:
 "The only constant on Doll by Doll's four albums is singer/guitarist Jackie Leven, who began as the leader of a quartet and wound up its only member. On the first three LPs, his presence is so commanding — thanks to a deep, rich, expressive voice that leaps into falsetto or descends to an ominous whisper as the moment dictates — that everyone around him takes a back seat. An impressive but flawed debut, Remember needlessly limits Doll by Doll's obvious electric strength. Although some tracks rock out, the group's folk roots place song before the performance, occasionally blunting the excitement. A sophisticated work that serves mainly to introduce Leven's startling voice."










A statement on his website announced his battle with cancer shortly before he died. It said:

"Please excuse this rather impersonal note. Sometimes, you have to tell people about the Bad, as well as the Good. It is with a heavy heart, therefore, that I have to relate the sad news that the great Scottish singer-songwriter JACKIE LEVEN is gravely ill, suffering from cancer, and, in all candour, has only a few days to live.

In a career stretching over forty years, Jackie Leven has carved an impressive reputation as a uniquely gifted singer-songwriter. From his emergence as leader of the underrated DOLL BY DOLL in the seventies, through well documented addiction problems which Leven overcame with remarkable strength of will, culminating in a solo resurgence through the 1980s to the here and now, Jackie has amassed an amazing body of work – the composer of over four hundred songs, including arguably his greatest song – `Call Mother', from the album `Mystery of Love' (ranked by Q magazine as one of `100 Best Albums of All Time'..."







Jackie Leven - "Call Mother A Lonely Field"


Uploaded by  on Sep 2, 2011

"...If sales didn't always reflect the overwhelmingly positive critical reception his albums received, he nonetheless remained a perceptive writer and performer. Jackie was imbued with a restless creativity, and always searching for new settings for his ruminative lyrical forays, laced with humour and melodic grace. As a performer, Jackie could enthral and entrance the audience with picaresque tales taken from first-hand experience. Those that have worked with Jackie will know of his mordant wit and very idiosyncratic world view. His latest release, Wayside Shrines and The Code of the Travelling Man, recorded with multi-instrumentali st Michael Cosgrave was yet more proof of Leven's enduring talent and inexhaustible creative energies."




Jackie Leven - "Heroin Dealer Blues"

Uploaded by  on Aug 14, 2011









Here's one of Jackie's songs with some Tim Hardin overtones:

Jackie Leven : "My Philosophy"
Uploaded by  on Sep 5, 2010
I do not remember how I came to have in my possession this recording of Jackie Leven's. Perhaps a friend in the UK sent it to me among a batch of albums to consider for my radio show. In any case, it was this song, "My Philosophy," from the Shining Brother Shining Sister album, which first caught my attention. I'm not sure why. It's a mysterious sort of song, beautifully ragged in its way, intimate, sonically rich, and featuring a vocal that is compellingly honest. I still don't know much about Jackie Leven, other than a few things I've read. I know he's done some wandering. lived close to the bone, busked for a living back along the years, including a stint living in corners of the South Bank Centre, London, where he once played the streets for his living. I know he's Scottish by birth, that his parents had a love for American folk blues. Leven's also lived in County Kerry in Ireland, and in Berlin and Madrid, and spent time in squats across the UK, where he began to encounter people with real and sometimes serious mental illnesses and disorders. He often quotes the American poet Theodore Roethke's line, '...for what is madness but nobility of soul at odds with circumstance?'. Perhaps there's something in his affection for that Roethke quote that explains my attraction to his work and, in particular, this song, "My Philosophy". There's an embrace of the dark in this song. If you've read Lorca - "Those dark sounds are the mystery, the roots that cling to the mire that we all know, that we all ignore, but from which comes the very substance of art." - you'll know what I'm talking about.


A final live track from a gig this last August:

Jackie Leven - "Elegy for Johnny Cash"



Uploaded by  on Jun 8, 2011
Last night (8/6/11), another great gig at King Tuts - the legend that is Jackie Leven!



From BBC NEWS/EDINBURGH, FIFE & EAST SCOTLAND:

Tributes have been paid to the Scottish singer songwriter Jackie Leven, who has died at the age of 61, after a battle with cancer.





Jackie Leven



Jackie Leven set up a charity for the treatment of heroin addiction











He was the founding member of the punk band Doll by Doll, and also enjoyed a lengthy solo career.
Among his many releases was a joint album with the crime writer Ian Rankin, who like Mr Leven hailed from Fife.
A reformed drug addict, he and his wife set up a charity for the treatment of heroin addiction.
Ian Rankin posted on Twitter: "RIP Jackie Leven. Gentle man, poetic songwriter, skilled guitarist, storyteller. It was an honour to call you friend."
BBC Radio Scotland presenter Tom Morton also used the social networking site to pay tribute to the singer.
He tweeted: "Wish still had some Leven's Lament whisky to drink to his memory. We'll miss him."




Checkout ....
http://www.jackieleven.co.uk/



11/16 added postscript from Dave at whatevershebringswesing group:


"Sadly, Jackie died last night (Monday) - the news broke not long after that of his mortal illness. I met him several times over the years. It was hard to reconcile the affable bloke with the fantastic humour and amazing songs with the one who I first saw sing with Doll by Doll at Nottingham's Garage in 1979. Man, he was scary. 'One of the few good shows we played', he told me twenty years later. DBD were a great post-punk group with a handful of really strong numbers (including ballads like Janis & Strip Show that pointed the way to some of the later solo work) but they weren't his first venture. I have a cd by St John Field which is Jackie in the early 70's, channeling his inner CSN and Van Morrison. He came back from a near fatal mugging and heroin addiction to become an incredibly prolific songwriter and superb raconteur - he made me laugh more than any stand-up comic currently on the circuit. I had a ticket to see him in Derby last month. Now I know why the gig was postponed. Several friends and I were looking forward to it immensely. You were guaranteed, an intense, entertaining two sets. Jackie never played encores (he might just do a request, if he was feeling generous, but only the one, mind). He would, however, give fans a hug or a kiss or an autograph after the show, and I usually had a little chat with him. Last time round I wished him well for his upcoming 60th birthday, which he wasn't looking forward to. He was 61 this year. "

Thursday, August 25, 2011

Syd/Early Floyd Demos May Finally Surface

photo- capitolemiarchive


Could early Pink Floyd demos with Syd Barrett finally see the light of day? We've heard bootlegs of 'Lucy Leave' and "I'm A King Bee", but what about the titles "Walk With Me Sydney" and
"Double O-Bo"?


Jen D at the WHATEVERSHEBRINGSWESING Yahoo Group shared this bit from Nick Mason in the new UNCUT:


New copy of Uncut just came in the post (Bolan cover) - There's a
feature & Nick interview re the Dark side Immersions set & his vault.
From the article by David Cavanagh
"...So far these three albums -easily Floyd's biggest sellers - are
the only one's confirmed for ' Immersion' editions. Unofficially,
though, plans are afoot that will electrify Syd Barret's fanbase. But
more on that later...

The Floyd story started with Syd Barrett, their first songwriter,
their first leader, the man who gave them their name. At a certain
point in the interview I look Mason in the eye and as him if 'Why Pink
Floyd...? is going to be the point in history when "Scream Thy Last
Scream", "Vegetable Man" and other unreleased 1967 tracks are finally,
after many dashed hopes and false alarms, going to receive an official
release.
Mason [at once]: "Yes. I would love that. If we did an 'Immersion'
version of the early stuff, we could have all of those, and then we've
got some demos that were made really early on, which I think are just
charming. these come from 1965 and include 'Lucy Leave', "I'm A King
Bee", "Walk With Me Sydney", and "Double O-Bo". They're very R'n'B. Of
course we were yet another English band who wanted to be an American-s
style R'n'B band. We recorded the demo at Decca. I think it must have
been, in Broadhurst Gardens. A friend of Rick's was working there as
an engineer, and managed to sneak us in on a Saturday night when the
studio wasn't operating."
Have you always know of this tape's existence?
Mason: "Yes, I've always had a copy of it."

"Nick came in with a huge box full of quarter tapes which had been
sitting in storage," relates Andy Jackson. "When we trawled through
them, there were a lot of early recordings, pre-Piper, when they were
playing "Louie, Louie" and being an R'n'B band. Then there were quite
a few Barrett-era Floyd tracks that never got released, which were
mixed recently as part of [the work done on] An Introduction To Syd
Barrett, when we didn't know that they weren't going to get used.
There is potentially the material to make an album of unreleased
Barrett-era stuff."

In other words [I ask Mason], there'll be an 'Immersion' edition of
The Piper At The Gates Of Dawn? Or else an 'Immersion' that twins
Piper with A Saucerful Of Secrets?
Mason: "More likely to be the latter, but yes, definitely. Personally
I think the two albums go together very well, if you position the
tracks suitably, because 'Jugband Blues' on Saucer is Syd's song and
it's his farewell moment in a way"

That 1967-68 'Immersion' set will probably come out next summer Mason
estimates. It will have been a long. long wait."

^ followed by Vernon Fitch on the quality of live Syd Floyd recordings
(he mentions the 'new' Stockholm concert being decent quality) & a
box out on Syd era outakes.

-- 
support fund for indie labels affected by sony warehouse fire
http://cognitivedis sonancerecords. com/labellove/
My blog: http://jenna- appleseed. livejournal. com
A Strummer/Clash etc. inspired fanzine http://bit.ly/ jsemailsig

Thursday, December 30, 2010

The Canterbury Scene - BBC South

via percy_the_ratcatcher



http://www.bbc.co.uk/kent

One of the Canterbury Scene's main men, Daevid Allen talks about how his travels brought him to Canterbury and being part of the Scene.

Australian born Daevid Allen is one of the Canterbury Scene's leading men. He came to England in the very early sixties, arriving in Canterbury via London. He's best known as the leader of the Canterbury band Gong.

In this interview he talks about how his travels brought him to Canterbury and whether or not he thinks there was ever a 'Canterbury Scene'.


Guitarist and singer Steve Hillage came to Canterbury in 1969 to attend university. Within weeks he'd found his way into the Canterbury Scene.

Steve was studying History and Philosophy but spent a good deal of time jamming with other musicians active on the scene in those years. He was particularly friendly with the members of Caravan, and through them he was able to get a record deal.

Steve Hillage talks about his early days in Canterbury.

More about these interviews:
http://www.bbc.co.uk/kent/entertainme...




Although for many years Robert Wyatt denied the existence of The Canterbury Scene he is certainly inextricably linked to Kents own special sound and the bands that developed it into something lasting.
Moving with his parents to Lydden near Dover, before he was a teenager, Wyatt was exposed to all sorts of musical influences from the lodgers who rented rooms in the 14 room house. It was here he met jazz drummer George Neidorf and Australian hippie Daevid Allen.
Robert Wyatt talks about the early day's of his musical education.




Originally from Leicestershire, Peter Geoffrey Richardsons playing has graced many a Canterbury Scene track. 
He joined Caravan in 1972 as the viola player but also counts guitar, mandolin and cello amongst the many instruments he can play.
Richardsons arrival in Caravan coincided with the departure of the Richard Sinclair and his cousin David. Some fans objected to his viola replacing Davids keyboards but he became an integral part of the bands developing sound.
He describes how one Caravan track Memory Laine, Hugh was dreamed up.

Thursday, November 19, 2009

Kevin Ayers - Abbey Road Tape Archive Pt 1




From: "David Parker" with the whatevershebringswesing Yahoo group at:
http://launch.groups.yahoo.com/group/whatevershebringswesing/

Kevin Ayers - Abbey Road Tape Archive Pt 1

Hello Folks,

Part 1 of a (very) occasional series re Kevin Ayers...

This is from a 1/2" thick pile of A4 pages that the Abbey Road computer
generated for me back in 1997.

You'll have to decode the plain text version as best you can, but the format
is:

Tape Number / Tape Format / Record Date / Track Title

The plain text means that where there is more than one track title on a tape
you'll have to do some eye-juggling to follow it - I'm afraid that this is
the best I can offer.

I've included all of the relevant information from the print-out (I'm sorry
but I couldn't face typing in the shelf location reference number for each
tape:-) + any comments noted. The tapes are listed in (pretty much)
alphabetical order - so that's how you'll be getting them.

No promises as to when the next bit will be along:-)

All the best

David

Report 003: Tape Report – Full Details
EMI Music – Music Master Archive System
Abbey Road Studios Tape Library
09/04/97
11:11

E093997 4-Track 3/10/69 All This Crazy Gift of Time (remake)

107022 ¼” Stereo 19/9/72 Don’t Let it Get You Down (LP)
When Your Parents Go to Sleep
Don’t Let it Get You Down (single)
Don’t Sing No More Sad Songs
Crystal Clear
(Bananamour LP Tracks)

TL22603A ¼” Stereo --/--/-- Don’t Let it Get You Down
Shouting in a Bucket Blues
When Your Parents Go to Sleep
Interview
(Banana Amour LP S1)

TL22603B ¼” Stereo 10/10/72 Decadence
Oh What a Dream
Hymn
Beware of the Dog
(Banana Amour LP S2)

(Missed out a couple of long but not very interesting compilation LP master
tapes)

101427 ¼” Mono 3/11/71 Bubbling Brook (Sound Effect)

E098408 1” 8-Track 28/8/70 Butterfly Dance (First and Second Parts)

E099343 1” 8-Track 28/8/70 Butterfly Dance (Sec Part 8T to 8T)

01121A 2” 16-Track 29/3/73 Caribbean Moon (TK 1-2)

13846 ¼” Stereo 17/5/76 Caribbean Moon (Master)
Sea Shore Tape Loop
Caribbean Moon (Original Master O/TS)
Intro/Solo/Last Chorus

E101472 ¼” Stereo 29/3/73 Caribbean Moon (Edit Piece)

13958 ¼” Stereo 24/5/76 Caribbean Moon (7” 'A' master)
Caribbean Moon (1-1 copy with sea noises)

01121 2” Session Tape --/--/-- Caribbean Moon (06:18)
Final Line Up (06:10)

100286 ¼” Stereo 6/8/71 Champagne Song (from ST4 on E103844)

103844 1” 8-Track 4/8/71 Champagne Song

E105417 1” 8-Track 14/3/72 Clarence in Wonderland (original master)

AR36569 ¼” Stereo 1/12/73 Irreversible Neural Damage
Invitation
Once Chance Dance, The
Dr Dream Theme
Two Goes Into Four
(‘Confessions of Dr Dream’ Production master)

AR36568 ¼” Stereo 1/12/73 Day by Day
C U Later
Didn’t Feel Lonely
Everybody’s Sometime and Some People’s
It Begins With a Blessing/Etc
Ballbearing Blues
(‘Confessions of Dr Dream’ Production master)

107751 ¼” Stereo --/--/-- Decadence (Original end at end)

E107585 2” 16-Track 7/11/72 Decadence (TK 1 Best 08:15)

E106672 1” 8-Track 12/8/72 Don’t Let it Get You Down

E106673 2” 16-Track 9/8/72 Don’t Sing No More Sad Songs (TK 4 03:01)
Don’t Sing No More Sad Songs (TK 8 Best 03:35)
Crystal Clear (TK 6 Best 04:43)

107422 ¼” Stereo --/--/-- Don’t Let it Get You Down
(Single version/Edited 03:19)

00803 2” 16-Track 9/4/73 Fred (TK 10 Best) (“Possibly wrong title”)

75944 Umatic 12/5/89 Gemini Child (Master) ‘Production Master’

AR58235 ¼” Stereo 8/5/89 Gemini Child (Master 03:16) ‘Original Master’

E092596 1” 4-Track 17/6/69 It Song, The
Circus (Remade 23.6.69 on E92610 (4T))

103873 1” 8-Track 27/7/71 Jolie Madame (03:10)
There is Loving

TL20322A ¼” Stereo 3/10/69 Joy of a Toy
Town Feeling
Clarietta Rag, The
Girl on a Swing
Song for Insane Times
(‘Joy of Toy LP S1)
(Original tape mixed from 8-Track)
(Tape characteristic CCIR)

TL20322B ¼” Stereo 3/10/69 Stop This Train (Again Doing It)
Eleanor’s Cake Which Ate Her
Lady Rachael, The
Oleh Oleh Bandu Bandong
(“Please cut 2db @ 64 B on cutting”)
All This Crazy Gift of Time
(‘Joy of a Toy LP S2)
(Original tape mixed from 8-Track)
(Tape characteristic CCIR)

E094134 1” 8-Track 15/7/69 Stop This Train
Oleh Oleh Bandu Bandong
Song for Insane Times
Joy of a Toy
Town Feeling
Miss Clarietta
(‘Session Tape’)

E094135 1” 8-Track 15/7/69 Eleanors Cake
Lady Rachel
Girl on a Swing
All This Crazy Gift of Time
(‘Session Tape’)

E104547 2” 16-Track 9/4/72 Lady Rachel (TK 1-3 B/D)
Lady Rachel (TK 4 Comp 06:27)
Lady Rachel (TK 5)
Lady Rachel (TK 6 05:30)

E105038 ¼” Stereo 4/2/72 Lady Rachel (06:36)
(“Not for Production – Don’t Use”)

E105121 ¼” Stereo 16/2/72 Lady Rachel (“For USA LP”) Edited
Lady Rachel (“UK single version”) (04:48)

E104548 2” 16-Track 4/1/72 Lady Rachel (TK7 F/S)
Lady Rachel (TK 8 Best) (06:38)
Crazy Gift of Time (TK 1-5)
Crazy Gift of Time (TK 6 Best) (04:13)

E099107 1” 8-Track 4/8/70 Live – Hyde Park: R3 “Untitled”

E099108 1” 8-Track 4/8/70 Live – Hyde Park: R4 “Untitled”

End of Part 1…

Wednesday, October 21, 2009

Nick Drake & Francoise Hardy

From Steve Foster, originally posted with whatevershebringswesing Yahoo group at: http://launch.groups.yahoo.com/group/whatevershebringswesing/


Apologies if this isn't news - just came across it in Francoise Hardy's autobiography (Le Desespoir Des Singes) and I'm unfamiliar with either of the protagonists. The translation is mine - I've tried to keep as closely as possible to the original.

> 'Since his first album, I had liked a gifted young English
> singer and songwriter, Nick Drake, that for some
> unexplainable reason the medias were ignoring. So when I
> found myself in his country, I spoke about him to every
> journalist I met with all the enthusiasm that his great
> talent inspired in me in the hope of helping to get him
> better known. He heard about it and I was surprised to see
> him arrive at the London studio where I was recording. He
> dropped in several times, but the language barrier prevented
> us from communicating, unless it was a convenient screen to
> hide deeper inhibitions in both of us.... He would sit in
> one corner of the studio and would stay there for hours,
> without saying a word, as if it was enough for him to know
> that I liked his songs.
>
> Nick's extreme introversion bordered on autism. The cover
> of one album shows him sitting, next to his shoes, as if he
> wanted to exorcize his personal discomfort by making light
> of it*. He had phoned me in 1972 to tell me that he was
> passing through Paris. Rightly or wrongly each call from him
> seemed to me a kind of SOS that ought not be taken lightly.
> That evening I was due to go with some friends to have
> dinner and listen to Veronique Sanson at the Eiffel Tower
> restaurant, which doubled up as a cabaret. I had no other
> choice than to bring him along with us, which with hindsight
> now seems surreal to me. Not because Veronique Sanson, whose
> immense talent fed by an existential discomfort similar to
> his own could only touch him but to find oneself in a public
> place where strangers were quaffing champagne while speaking
> too loudly must have been the last thing that he would have
> wanted.
>
> It was so strange that he should arrive thus without
> warning, without ever departing from his silence that my
> instinct, perhaps wrongly, bade me to respect... So strange
> that he knew nothing about me, that I knew nothing about him
> and that neither of us sought to find out more about each
> other... Was he expecting anything? A word? A gesture? A
> step? Why had he come to Paris? Could he possibly have come
> for me? This last eventuality did not cross my mind and I am
> astonished retrospectively that I never asked any questions.
> Fear of making him uncomfortable perhaps ...fear of hurting
> him also ...
>
> Towards the end of 1974, his mother told me that he had
> died in his sleep of, she thought, an overdose of
> medication. He was only 26 years old! Over and above the
> distress that this news plunged me into, I could not stop
> but think his death was part of the logic of the turmoil
> that one could see in him. Would he have lived longer if he
> had met with success? Or, on the other hand, is it that part
> of him remained in limbo that success evaded him?
>
> Years later, someone gave me a letter from Mrs Drake. In
> the meantime I had taken some lessons in graphology of which
> I retained some of the fundamentals: I studied with interest
> and emotion the beautiful handwriting of an evolved, stable
> woman, full of warmth and life and asked myself even more
> questions on the roots of the suffering which had gnawed her
> son. Maybe he was just too sensitive? Flayed by everything
> that life threw at him? A pure soul which had underestimated
> the difficulties of earthly incarnation and which had risen
> back to heaven almost as quickly as it had come down, after
> having given the world pearls too beautiful and which it
> hadn't wanted...'


* Hardy uses the expression 'en s'en jouant' which has various shades of meaning. I hope I've got the nuance right.
Could she be reading too much into the album cover? There's an argot expression 'etre a cote de ses pompes' which
implies being head in the clouds/diverted from reality but would Drake have been familiar with the expression? I think
I read somewhere that he'd spent some time in Aix en Provence between school and university.