Amplify’d from blackhairedboy.blogspot.com
In late 1971 Creem Magazine sent Lester Bangs out to write an article on the raging new rock force that was Alice Cooper, from which these pictures appeared. It didn't hurt that the band spent a short tenure in the Detroit rock scene - where Creem Magazine was located - sharing bills with The MC5, Stooges, SRC, and The Frost (whose guitarists Dick Wagner and Steve Hunter later joined the band).
Before Alice became a trailer park rock god he earned a lot of bonus airline points playing the drag queen card, wearing falsies, Dolly Parton wigs and just queening out. On the right is a still from the legendary "Ballad of Dwight Frye" song where's he's institutionalized in a strait jacket. In the next picture he's doing a bizarre Salvador Dali "Persistence of memory" routine. He ended up meeting with Dali who adored Cooper to the point of creating a hologram of Alice.
Here's Alice in body stocking and heels to the left, and tearing the poster to the "Love It To Death" album on stage to the right. Early footage of Alice Cooper perofrming live can be seen in Frank & Eleanor Perry's movie "Diary of a Mad Housewife" where chickens aren't killed, but pillows are ripped open and the goose feathers are tossed around in a hail of pflug.
When my band used to tour the driver got to choose which cassette tape we had to listen to while they drove. I had three guitar players; when one drove we had to listen to Neil Young & Crazy Horse, when the other drove we had to listen to the third Velvet Underground album, the real terrible one with songs like “I’m Set Free”, “Jesus”, and “I’m Beginning To See The Light”, yuck, and the third one played a tape that had Alice Cooper’s “Love It To Death” on one side and “Killer” on the other side. Guess who played the best guitar?
Here's Alice consolidating his queeny image by having his hair done at the beauty parlor. He also had The Cockettes perofrm and appear at several events and shows around this time. I think Alice and Frank Zappa tried pretty hard to downplay any drug involvement because they were creepy guys from Laurel Canyon and at the time (1970-1971) every straight in LA thought if you had long hair and came from the Canyon you were Charles Manson, so eventually they went out of their way to brag about how average they were. Too bad. By the time "School's Out" was released (1972) our private party was over.
All photos by Ric Siegel, 1971
See this Amp at http://amplify.com/u/deup