Showing posts with label bigfoot. Show all posts
Showing posts with label bigfoot. Show all posts

Saturday, June 27, 2009

CRYPTOMUNDO: Bigfoot Author Links Bigfoot Racism to Michael Jackson

"...Social scientist Joshua B. Buhs, author of Bigfoot: 'The Life and Times of a Legend' writes Cryptomundo about a connection – tenuous and racist – between Michael Jackson and the world of cryptozoology..."


http://www.cryptomundo.com/cryptozoo-news/buhs-mj/
(FROM CRYPTOMUNDO)
Posted by: Loren Coleman on June 27th, 2009

Bigfoot Author Links Bigfoot Racism to Michael Jackson



Social scientist Joshua B. Buhs, author of Bigfoot: 'The Life and Times of a Legend'
http://www.amazon.com/Bigfoot-Legend-Joshua-Blu-Buhs/dp/0226079791/ref=ase_cryptozoologi-20/
writes Cryptomundo about a:

"…connection – tenuous and racist – between Michael Jackson and the world of cryptozoology.

Jackson’s nickname among the tabloids was Jacko (which conveniently rhymed with wacko)."

"Jacko was also the name of the supposed young Sasquatch caught in 1884.

Is there a link? I suspect so.

Jocko is a common slang for a monkey or ape. Jacko seems to be a corruption of that word. Jacko worked as a name for a Sasquatch because it made clear the thing–whatever it was, whether it existed or not–was supposed to be understood as an ape.

The same subtle allusion is then built into Michael Jackson’s nickname. He’s an ape, and his association with Bubbles only cements that."
~ Joshua B. Buhs, June 27, 2009.


(Fair use, for editorial comment; image credit Akira Suemori.)


Typical image comparisons found on the Internet between a character in The Planet of the Apes and Michael Jackson.

See “The Story of Jacko” for more details on the 1884 capture story.
http://www.cryptomundo.com/cryptozoo-news/story-jacko/

Michael Jackson, Werefolk, and Bigfoot (7)
http://www.cryptomundo.com/cryptozoo-news/m-jackson/
(ALSO A MUST READ)
Little Eagle Bigfoot (3)
Men in Cryptozoology: Mark A. Hall (2)
Bigfoot Discovery Museum Event (2)
Freeman “Bigfoot” Footage Revisited (19)

Saturday, June 6, 2009

Outbreak! The Encyclopedia of Extraordinary Social Behavior

(FROM Cryptomundo BLOG)
http://www.cryptomundo.com/cryptozoo-news/outbreak/

Outbreak!: A Review
Posted by: Loren Coleman on June 6th, 2009

The recommended new book, Outbreak! The Encyclopedia of Extraordinary Social Behavior is a massive tome, being a large format paperbound book (8″ by 11″), with a total of 765 pages of about 340 entries. The authors are the scholars Hilary Evans, a social historian, and Robert Bartholomew, a sociologist and specialist in collective behavior. The editor-publisher Patrick Huyghe also deserves much credit for being the midwife at Anomalist Books for the birth of this big baby, during the Spring of 2009.

From “Abdera Outbreak of Prose and Poetry” to “Zoot Suit Riots,” the book takes the reader on an incredible tour of the topics at hand. The classics of contagion behavior are here, e.g. the “Band Bus Hysteria,” “Cargo ‘Cults’,” “Copycat Behavior,” “Phantom Slasher,” “Pokemon Illness,” “Salem Witch Hunts,” “Suicide Clusters,” and “Windshield Pitting Scare.”

But it may be the more bizarre of the strange that gets some attention for the authors’ weird little treks into “Extraterrestrial Tsunami Panic,” “Feather Tickling Fad,” “Jumping Frenchmen of Maine” (a little more serious than the “kicking horse game” and “cabin fever”), “Masturbation Delusion” (obviously, an in-depth global survey), “Ugandan Running Sickness,” and “Wacky Wallwalker Fad.”

Some personal Fortean favorites of mine, as well as familiar ufological topics, are to be found in this book. They include “Cattle Mutilations,” “Chupacabra Scare” (incorrectly spelled, I must note), “Flying Saucer, Origin of,” “Ghost Rocket Scare,” “Great American Airship Scare,” “Halifax Slasher,” “Mad Gasser of Botetourt,” “Mad Gasser of Mattoon,” “Monkey Man Scare,” and “Springheel Jack Scare.”
The Jack the Ripper case is discussed under the academic entry heading, “Whitechapel Murders Scare,” thus acknowledging the authors’ apparent dislike for the “Ripper” label.
Cryptozoology, per se, also shows up marginally in relationship to a “Water Monster Panic” that occurred in Shanghai, China, in August 1947. An “amphibious monster” scare resulted in the death by drowning of a man who jumped overboard when he heard screams of what he thought was the monster. Two other men were beaten to death by a crowd who “believed they were somehow linked to the monster.”
The entry for the “Windigo Psychosis” covers pages 726 to 728, and is written much differently than how I would approach the subject. The authors begin by clearly defining where they are going here: “Native Canadians of the Algonquin peoples are subject to periodic outbreaks related to a supernatural naked giant to which they give many names but which is chiefly known as the windigo or wendigo, or weetigo.”

The authors tip their hat by using the word “supernatural,” and give no basis for how the Windigo, a local name for Sasquatch, is viewed by some First Nations people. The real cryptid or unknown hominid is used as the model for the “boogie man” of the psychosis but does not need to be dismissed, out of hand, in their introduction. The windigo psychosis or wittiko psychosis is real, no doubt, but then too, so may be the “monsters of the woods,” the Windigo/Wendigo/Wittiko. The two topics are actually separate but equal, and I see again that the foggy psychosis has caused these writers to pen vague words about the hairy hominid too.

I suppose if you are going to credit an undated article on the “Windigo” psychosis published in the International Journal of Parapsychology for the source of your definition on “Windigo,” versus using more folkloric, anthropological, or cryptozoological references on the creatures, you better be prepared for me to not be happy with that entry.

The Windigo (also known as the Wendigo, Windago, Windiga, Wittiko, Wihtikow, and numerous other variants) is an unknown hairy hominid tied to the sightings, legends and folklore of First Nations people linked by the Algonquin languages. The range is much more broad than given in Outbreak!. The Windigo is a bipedal hairy creature, equal to the Eastern Bigfoot, Stone Giant, or Marked Hominid in some classification systems, which is often said to have aggressive behaviors. But the “Windigo Psychosis” has nothing to do with cryptozoology, except that a name is used for a mental disorder.

I do not hide the fact that I have differences in interpretation with these authors, for I find their black and white skeptical approach to a few of the encyclopedia’s events as being wholly too psychological-based, without any appreciation for the possible underlying factual reality to be found in some of these encounters. I predict that a few thoughtful suicidologists, social scientists or even ufologists reviewing this book would also have a few comments to make about some of their suicide epidemics or ufological entries, as well. It really depends on your point-of-view.

The book is well-organized, but it does take a few moments to understand the reasoning behind why some incidents are entries and why some items are subcategories under others.

The entries bounce back and forth, between the universal and the incredibly specific, such as, for instance, the worldwide “Streaking Fad” to little collections like the “Sick School Staff Syndrome,” and to the minute examples of one event, e.g, the “Ohio Chorus Fainting Fits,” which happened on one day, November 23, 1959.

The index is detailed in small print in 10 pages, and it helps a great deal, if, for example, you are looking for the “penis theft attacks” of 2001, which took place in Nigeria and Benin. Those aren’t mentioned in the section on “Genital Shrinking Scares,” but instead discussed under “Genital Vanishing Scares.” Certainly, an important difference.

Such reservations, however, do not distract me from being grateful these two scholars have written such a fine collection of cases, so we may all have this data at our fingertips now.

The book is a masterpiece, that’s for sure.

It will become a major reference work for those involved in researching these kinds of events or for those with a casual interest who wish to dive deeper into the literature and stories on such things.

Besides merely congratulating Anomalist Books for taking on the monumental task of publishing this important book, also I congratulate them for keeping the price reasonable, at $39.95 US. I already notice used copies are going for $55.21 on the American site, Amazon.com, so I say, if you are the least bit intrigued, buy it new, now.

Tuesday, March 10, 2009

R. Crumb and Bigfoot (from CRYPTOMUNDO)


http://www.cryptomundo.com/cryptozoo-news/r-crumb-bf/
Posted by: Loren Coleman on January 26th, 2007

Mark Frauenfelder recently posted at Boing Boing about the wonderful past era of beautiful art to be found on old covers of Fate.

Mark also mentioned a recent blog by David Pescovitz about the New York Times article “Mr. and Mrs. Natural,” and the author of that article contacted Mark to say two of Fate covers done in the last decade have been illustrated by the underground comics genius R. Crumb. Actually, it was three, two of which had Bigfoot themes and one was of an alien shown near a bed.

One of those covers - specifically because of Crumb’s art - has become apparently the most popular cover in Fate history. It is the Crumb Bigfoot cover shown at the top of this blog. I feel honored that my column, “Mysterious World: Bigfoot-like Creatures Roam the Eastern U.S.” appeared in the November 2000 issue of that Fate. Thus, as such things go, my column has been vaguely associated with and said to be partially responsible for R. Crumb’s artwork. It probably was just a coincidence, but it is one of those cool cosmic overlaps that I appreciate being part of, especially since I always liked his comix, like Zap.

he other Fate R. Crumb cover was of snowy Bigfoot-types in Russia. Intriguingly, it was also used to promote a Wisconsin Bigfoot novel from Galde Press (the current owners of Fate).

R. Crumb has been interested in Bigfoot for a long time, having penned the classic “Whiteman meets Bigfoot” in Home Grown Funnies, no. 1, back in 1971.

Anyone out there have any scans of R. Crumb’s 1971 comic art of Bigfoot?

As far as the popular cultural significance of R. Crumb, all you have to do, if you were part of the 1960s, is remember his images associated with Mr. Natural, Fritz the Cat, Keep On Truckin’, and Janis Joplin’s Cheap Thrills album cover.

Perhaps someday R. Crumb will even draw a Bigfoot exclusively for Cryptomundo.

Hey, unlike the The New York Times which has decided to print the word “hippy,” I spell “hippie” the way we used to in the 60s!

THEN FROM BOINGBOING:
http://www.boingboing.net/2009/03/08/drew-friedman-paints.html

Drew Friedman paints Robert Crumb presenting Cheap Thrills album cover to Janis Joplin
POSTED BY MARK FRAUENFELDER, MARCH 8, 2009 5:19 PM

Our pal Drew Friedman painted this great moment in freak history.

This recent piece is a depiction of my old friend (and favorite artist) Robert Crumb presenting his original "Cheap Thrills" comic strip cover art to Janis Joplin, (with various members of "The Holding Company" lurking behind), backstage at the Filmore West in San Fran' in 1968. It was commissioned by the private collector who owns the original Crumb "Cheap Thrills" art, as a companion piece to hang along side it in his office. Interestingly, Crumb's original intention was for this art to run on the back cover and a portrait of Joplin to run on the front. But Joplin loved the the comic strip art so much, (she was an avid underground comics fan, especially the work of Crumb, and already at that point in her escalating career, had the power to hire her own cover artist), she decided to run it on the front. It's arguably the SECOND most famous album cover ever, after Sgt. Pepper. One amusing side note: bending no doubt to pressure, Crumb wore his hair for a time at it's longest in '68, which I try to show. Joplin was also encouraging him to "loosen up" and wear "hippie clothes and beads" but he just couldn't go that far.