Showing posts with label sympathy for the record industry. Show all posts
Showing posts with label sympathy for the record industry. Show all posts

Friday, February 10, 2023

The story of The Loafin' Hyenas first club gig at Raji's in Hollywood when Lux Interior & Rob Ritter showed up


 This photo that came up in yesterday’s Memories is from when the Hollywood, California band that I was in, The Loafin' Hyenas, played our first club gig at Raji’s, the epicenter of Hollywood underground bands at the time. I think this was 1988. At that point the band consisted of myself on vocals, former Cramps guitarist Click Mort, a wild cajun gal from Beaumont named Dionne Sparks (now Neva Trejo) on fiddle, & the former rhythm section from the band Blood on the Saddle, Ron Botelho on bass & Hermann Senac on drums. This is the lineup that recorded our first single “Scatter” (about Elvis’ chimpanzee) b/w “Move It!” (a reworking of one of my earlier songs from Tex & the Saddletramps days) that was one of the early releases from Long Gone John’s Sympathy For The Record Industry label (SFTRI 008). Hear the song "Scatter" here: https://at.tumblr.com/t-tex-edwards/t-tex-edwards-ch-dld-bft-brit-omm-audio/riw8sqxa1sfx


And what a night it was. I don’t remember much from our performance, but I do remember who was there in the audience that night. In the photo below just to the left of the speaker cabinet (& darkly in the first photo), you can see original Gun Club bassist Rob "Graves" Ritter in sunglasses (yes, after dark AND indoors) sitting on the floor with his friend Tim Farris from the band Celebrity Skin. Rob was our favorite & the first bass player Click & I recruited for The Loafin' Hyenas & he jammed with us once when we were in the early stages of writing songs & putting the band together. But Rob was too busy at the time playing reunion gigs with 45 Grave & soon joining the band Thelonious Monster, to have enough time to devote to our project. He did return toward the end of The Loafin' Hyenas & contributed some beautiful bass lines to our only album, THE LOAFIN’ HYENAS on Patrick Mathè’s New Rose label out of France.


Also that night Click had invited his old bosses from The Cramps, Lux Interior & Poison Ivy Rorschach, who surprisingly showed up & crowded into the stuffy basement room at Raji’s where the bands played. I remember Lux pointing out in conversation afterwards in his humorous goofy manner, “Hey, we’re both lead singers with three letter names that end in ‘x’ Lux & Tex!”. I had invited Chip Kinman from Rank and File, a band that I admired & had opened shows for a couple of times back in Dallas at The Hot Klub, who also showed up.
The next photo is still-my-sweetie Karen Kritter & I, in one of Raji’s booths.



Then this last image is a flyer made by Click Mort. I don't remember if this was the same night as the one that I'm describing in this post. But it would make sense since Lux produced the first Mad Daddy's LP...





Sunday, January 15, 2023

T. Tex Edwards & Out On Parole - Pardon Me, I've Got Someone To Kill



 T. TEX EDWARDS writes: 

Way back in the 1980’s, Mr. Mike Buck gave me a cassette mixtape he made called THE RUBBER ROOM, comprised of old C&W songs about murder, madness, jails etc. but mainly about murder. Nowadays it’s a whole genre of it’s own. But back then it was just tapes of weird old tunes that record collectors like Buck shared amongst friends.


I had a friend named Danny Whittington back in Austin with some recording equipment at his house & on a lark, I suggested we record some of those songs next time I was back in town visiting from my then-current home in Hollywood, California. That was how this album came about. What started out as a kind of sick joke turned into a semi-serious music project.


As it turned out, the songwriting on the most part was strong, the musicianship of the friends & friends-of-friends who were recruited was sure, & somehow my drug-sick, mumbled warbling fit right in & some minor magic was created.


Weirdo Austin artist Bob “Don’t Call Me Robert” Frye, another friend-of-a-friend was tagged with coming up with some coverart. Something along the lines of Porter Wagoner’s COLD, HARD FACTS OF LIFE (one of the songs included) & this fantastic creation of Bob’s was the lynchpin in convincing Long Gone John, indie record guy & collector of transgressive art, to release a vinyl LP of the project on his Sympathy For The Record Industry label.


Much, much later, after the century turned & I had moved back to Austin, Jeff Smith of Saustex Media, consented to re-releasing a CD version in 2007.


Which brings us to the present where I still have some of those CDs left to peddle to you here on eBay: https://www.ebay.com/itm/155359257397



AMAZON BLURB:

'Pardon Me, I've Got Someone To Kill' is a re-issue of the classic 1989 Sympathy For The Record Industry release (also New Rose in France, 1991) by T. Tex Edwards & Out On Parole. T. Tex is a true Texas Punk pioneer dating from his work in the 70's with the Nervebreakers and his later Hollywood outfit the Loafin' Hyenas. 'Pardon Me,...' is a collection of obscure C & W 'murder' songs rendered in Edwards' singular style. Top-notch backing on the disc is provided by Austin Roots luminaries Mike Buck (Fabulous T-Birds, Leroi Bros.) on the drums, John X. Reed (Doug Sahm, Jesse Taylor, Lucky Tomblin Band) on a variety of guitars, and other lesser-known but equally talented weirdos. 14 tales about drinkin', cheatin', killin' and prison rendered in high Texan fashion for your listening enjoyment. Includes the previously unreleased 'Last Will and Testimony (of a Drinking Man)' by Tex and the Affordable Caskets.

Friday, November 22, 2013

Lee Harvey Was A Friend Of Mine



"Lee Harvey Was A Friend Of Mine" (Bennison-Cotton)
Sympathy For The Record Industry 45: SFTRI 55 (1990)
Cover by: Savage Pencil (Edwin Pouncey)
also on Intexicated! Saustex CD: SEX 2012-2

AUDIO: http://wewantnothing.tumblr.com/post/67742176454/lee-harvey-was-a-friend-of-mine






Homer Henderson & T. Tex Edwards
(photo by Jason Crisp)