Showing posts with label roky erickson. Show all posts
Showing posts with label roky erickson. Show all posts

Monday, April 2, 2018

The Moving Sidewalks saga (with Hendrix & more) [REPOST from 11/14/09]

From: http://thesweetestpsychopath.tumblr.com/post/236155437/the-moving-sidewalks-founded-by-billy-gibbons-in



From: https://en.wikipedia.org/wiki/Moving_Sidewalks
The Moving Sidewalks was an American psychedelic blues rock band, most notable for giving future ZZ Top guitaristBilly Gibbons, his start in the music business. The band consisted of Gibbons on guitar, Don Summers on bass, Dan Mitchell on drums and Tom Moore on keyboards.
Gibbons founded the Texas psychedelic group in the mid-1960s and quickly drew a large following, especially among the Houston "teen scene". They recorded several singles and one full-length album, Flash. Their single "99th Floor" was well received and topped the charts at No. 1 in Houston for six weeks. The success of this record led the Sidewalks to sign with Wand Records which then released "Need Me", also a Top 10 Hit for the band. The group was asked to open for many rock tours, including Jimi Hendrix and The Doors.
After Tom Moore and Don Summers were drafted into the United States Army, Gibbons and Mitchell added Lanier Greig and formed the original ZZ Top. They recorded the first ZZ Top record, “Salt Lick”, which was released on London Records.

While attending Warner Brothers' art school in Hollywood, California, Gibbons engaged with his first bands including The Saints, Billy G & the Blueflames, and The Coachmen. By 1967, Gibbons returned to Houston and went forward forming an artfully designed band, conceptually inspired by friend and fellow musician, Roky Erickson and The 13th Floor ElevatorsThe "Moving Sidewalks" name was chosen and shortly thereafter 99th Floor. Around this time Gibbons had developed quite a camaraderie with the legendary Jimi Hendrix. As a guest on The Dick Cavett Show, Hendrix would later be quoted as saying that Gibbons was slated to be the next big thing as a guitarist. The Moving Sidewalks continued to appear along with the 13th Floor Elevators at the short-lived yet legendary Houston psychedelic venue, Love Street Light Circus at Allen's Landing. The Elevators set was cut short by Houston Police who arrested the band's lead singer Roky Erickson for marijuana possession.


From: http://thesweetestpsychopath.tumblr.com/post/236220997/the-moving-sidewalks-only-album-flash-1968-a


The Moving Sidewalks only album ~ Flash (1968)
A Texas psych/garage monster !
Billy Gibbons ~ guitar, vocals & harmonica, Don Summers ~ bass, Dan Mitchell ~ drums and Tom Moore ~ keyboards.


From: http://thesweetestpsychopath.tumblr.com/post/236422595/the-moving-sidewalks-pose-for-a-portrait-with-jimi

The Moving Sidewalks pose for a portrait with Jimi Hendrix whom they had just opened for at the Municipal Auditorium on February 15, 1968 in San Antonio, Texas. Jimi Hendrix gave the Pink Fender Stratocaster he’s holding to Billy Gibbons. Gibbons told Guitar World in 1985, ” He said the color pink was not conductive to burning, so he gave it to me and said, Play on brother…”


The Moving Sidewalks ~ 99th Floor (2:17 ~ 1967)
The Billy Gibbons penned single “99th Floor” was a hit and topped the charts at #1 in Houston for six weeks. With Gibbons doin’ two lead guitars, vocals, a killer scream, and harmonica solo at the end, it’s a certified psych classic.



The Moving Sidewalks ~ Pluto - Sept 31st (5:13 ~ 1968)
A Hendrix influenced rocker featuring Billy Gibbons doin’ some cool backwards guitar and a groovy scream too !!!



The Moving Sidewalks ~ Flashback (4:46 ~ 1968)





The Moving Sidewalks ~ Scoun Da Be (2:07 ~ 1968)





Saturday, April 20, 2013

Roky Erickson and The Explosives at Hultsfred, Sweden, 2007

Roky's first ever gig in Europe. Professional multicam video with soundboard audio, from Hultsfred, Sweden 2007. In three parts.


Roky Erickson and The Explosives at Hultsfred, Sweden, 07-06-16









Här är en riktig pärla som jag hittade på en gammal hårddisk som inte varit igång på några år. Hela Roky Ericksons bejublade Hultsfredskonsert från 2007, proffsfilmad med flerkamerasystem och ljud direkt från mixerbordet. Kommer ursprungligen från någon som jobbade på festivalen vid tillfället och har vad jag vet aldrig cirkulerat på nätet innan.

Uploaded to youtube byPatrik Lager

Thursday, December 9, 2010

Roky Erickson Tour - Germany!

Roky Erickson Tour
http://www.luxor-koeln.de/so-12-12-roky-erickson/
Now the good thing about this gig, it’s recorded for german public television by the WDR Rockpalast.

http://www.wdr.de/tv/rockpalast/extra/konzerte/2010/1212/index.jsp


You can stream older shows from several bands under

http://www.wdr.de/tv/rockpalast/videos/uebersicht.jsp

After the show it usually takes 1-2 month and than it will be broadcast in german Free-TV.
Read more at www.texaspsychedelicrock.com
 

Tuesday, November 16, 2010

Texas Psych: Is Roky Slipping Lately?

Texas Psychedelic Rock

Monday, November 15, 2010







Roky Erickson
I've been hearing that Roky is "slipping" lately. There have been some rumblings that the gigs were not tight and that Roky seemed "out there" and was forgetting the lyrics. Here is an exchange that happened on the world famous Texas Psych Google Group recently:
The Ultimust from NYC Wrote:
Hey everyone,

Caught Roky and his new backing band in NYC last night and I have to
say that it was about the worst I've ever seen him, musically. I'm
sure that the band spent more time on their look than they did on
learning how to play the songs and except for a few moments when Roky
played with some of the vocal phrasing, the entire performance was
about as flat as these songs can get. And yes, Roky did forget a
bunch of lyrics (including EVERY chorus of YGMM) but who can blame him
given the fact that the music was so uninspired?

I'm about as happy as anyone to see Roky touring and finally making
some money (I hope) off of his legend but last night really made me
wonder if it's a good idea to keep supporting something that may just
be ultimately detrimental to his health. I really got the impression
that this was just another job to Roky and that any of the creative
fire that was in him has all but gone. I mean, I'm all for Roky
getting paid but you gotta wonder if someone isn't just giving him an
allowance, keeping him out of trouble and propping him up on a stage
every night so that they can continue to line their own pockets.

I have no idea how Roky's camp picks his backing groups but whoever is
in charge of that needs to be fired and probably slapped in the face
too for good measure. Is it really that hard to find a competent
group who understands and respects Roky's musical history enough to do
the songs and him justice? For fuck's sake, give the guy something to
get excited about and I guarantee that people will turn their heads.
From what I've seen and heard, a lot more of his voice is left than
people might think, he just doesn't seem interested enough to use it.

I will say that the guitarist can play and he had a pretty good tone
as well, but his style was wimpy as all hell and his timing was pretty
lousy too. The bass playing was pretty terrible in general and much
of it was downright annoying. Gotta save my worst criticism for the
drummer, though. I know 3 year old girls who can hit harder than this
guy and I really doubt that he understands the meaning of the word
"accent" or how it applies to drumming. Drummers are the backbone of
any band which pretty much sums up why the songs last night had no
spine. And for chrissakes, can't we designate 1 roadie to make sure
that the mic is in front of Roky's mouth? Once again (same as the
Webster Hall show with Okkervil) you could barely hear Roky because he
mic wasn't angled right. He's got someone to put on and take of his
guitar, is it really that hard to pay attention to this detail too?
The band kept asking the sound guys to turn up Roky's mic which of
course did no good since he wasn't singing directly into it anyway.

You have no idea how much I hate to bash a Roky performance but last
night was so bad that someone had to call it. I'm assuming that
anyone reading this must genuinely care about wanting to see Roky
doing well and getting his due, but by the same token that makes us
all the people who should be calling bullshit on anyone who is
exploiting him in any way. And given the revolving door of bands over
the past few years, I'd say it's about time to speak up.

Call out Charlie Sexton, have him put together a band worthy of Roky's
abilities, get Rick Rubin to produce a record and I'll bet that Roky
will shine like the star that he is. If he keeps playing shows like
last night's, I'm afraid that he'll eventually just return to being an
under appreciated footnote in American rock and roll which seems like
such a waste given how far he's come.

lingeringlead replied:

Wow! Thanks for speaking up. Is anybody listening? I'm under the
impression Jegar and Dana are in charge. Last fall a bar owner friend
of mine in Nacogdoches, TX contacted Darren Hill about booking a gig.
His email went unanswered. To be honest it doesn't seem like anyone
is in charge.

Agree with your call for some "real" back up! Find some players with
skins on the wall. It's difficult for me to grasp why musicians and
producers aren't lined up at the door with projects for Roky. Funny
you mention Charlie Sexton b/c last year I asked Will when the
brothers might collaborate with Roky. He replied that no one asked.
True Love is great but the Will Sheff/Okkervil thing never made sense
to me. Rok needs muscle backing him not hipster angst! Why Rubin
isn't knocking on Roky's door is a mystery to me. What happened to
the Billy Gibbons rumors?

I'll give Kyle Ellison some credit though. He sounded well rehearsed
and had killer tone when I saw them.

Responding to a previous post about Roky being off his meds (and playing gigs):

andyexcuse wrote:

"...I've heard that Roky is off his meds (for quite some time)..."

I think we're seeing some evidence that evidence that it was too soon,
and it's tragic considering how far he had come. It's a very common
story with people who are living with a delusional mental illness. A
correct diagnosis, the right meds and therapy can have a very positive
effect over a relatively short period. Patients can become much more
lucid, their caregivers and support system are working hard to help
them get better, and before long it's easy to think, hey, I'm all
better. Going off your meds before you really get used to such a big
adjustment often results in losing everything you've gained, with the
added depression and confusion thrown in after you thought you were
doing fine. It seems like Roky's gone through a ton of changes in the
past few years both professionally and in terms of his health, and
maintaining mental stability is going to require more treatment than
he's currently getting. To hear that he's acting confused and
withdrawn is very scary and sad for someone who's been there. To an
extent, every patient responds differently, and care needs to be
tailored to the individual, but this is a very familiar pattern.

Marti Stivers replied:

Well written. Meds for psychotic disorders generally must be taken for a
lifetime; & often have very debilitating, uncomfortable side effects, which
cause the patient to attempt to function normally without them.
Unfortunately for family, friends, caregivers, counselors/therapists etc,
once the disorganized thinking/perceiving starts recurring, it is very, very
difficult to convince the patient that he or she is having problems. Even
when extremely psychotic, they believe that their thinking is just fine. A
good portion of my caseload comes to me after being successfully treated for
these problems so that I can assist them with stabilizing their living
situations & ultimately get them back into the workforce. Because of the
problem of having them continue their meds, the majority don't make it. I
cannot even count the number of times I've seen former clients now living on
the streets.

Kevin Combs replied:

Hello interested parties- The band behind Roky now consists of:
Kyle Ellison - guitar
Kyle Schneider - drums
John Michael Dayspring - bass

------------------------------------------------------------------

Do not attend one of these performances expecting slickness. Leave your rockshow preconceptions for another time. This is Roky now, playing for you now...It is what it is, and that's what it is.

Open up your mind and let everything come through.

regards,
kc.

Brat Brains replied:

I definitely would like to echo KC's sentiments about the current Roky
tour. Don't go to these shows expecting a presentation similar to ANY
of the recordings. It's a whole other thing, maybe Roky's not as "into
it" or whatever the Post article purports. I personally believe that
Malitz had an axe to grind. If Roky was so bad off he wouldn't be
playing ANYTHING, shows, recordings, NADA!!! That's been well
demonstrated/documented in the past. The backing trio (thanks, again,
KC for the names) is WAAAAAY better than Okkervill River and, indeed,
Roky seems energized by their performance if not a little hesitant to
go balls to the wall AWESOME as he might with the Explosives or that
ACL super group. In DC I watched intently as a 63 year old Roky
Erickson ROCKED-THE-HELL-OUT, at one point closely resembling the
youth from the grainy videos we've all seen dozens of times of the
Elevators playing poolside.

A couple other points: "Goodbye Sweet Dreams", by no means, "stood
out" at the Black Cat show. Sorry, but the arrangement we all know and
love from the recent album is not easily replicable by a shit-kickin
rock trio. The songs that did stand out were typically those with the
most repetitive lyrics. Roky seemed to have trouble remembering the
words to the songs. Get the dude a lyrics sheet for christ sake!
Younger people read lyrics on stage! It's not "uncool" for a musician
of his age to have a little help like that.

So yeah, to hell w/ that Post article. Go see Roky, he's great. It's
worth a $25 ticket just to see him alive and doing something other
than watching cartoons. My only critiques are: put the "simpler"
worded songs closer to the beginning of the set to start the evening
off with a bang and get the man some damned cue cards, people! It
ain't rocket science.

Here's a link to download the FLAC file of Roky Erickson at the Black Cat in Washington DC.



Join the Google Texas Psych Group!Read more at www.texaspsychedelicrock.com
 

Saturday, November 14, 2009

The Moving Sidewalks saga (with Hendrix & more)

From: http://thesweetestpsychopath.tumblr.com/post/236155437/the-moving-sidewalks-founded-by-billy-gibbons-in



From: https://en.wikipedia.org/wiki/Moving_Sidewalks
The Moving Sidewalks was an American psychedelic blues rock band, most notable for giving future ZZ Top guitaristBilly Gibbons, his start in the music business. The band consisted of Gibbons on guitar, Don Summers on bass, Dan Mitchell on drums and Tom Moore on keyboards.
Gibbons founded the Texas psychedelic group in the mid-1960s and quickly drew a large following, especially among the Houston "teen scene". They recorded several singles and one full-length album, Flash. Their single "99th Floor" was well received and topped the charts at No. 1 in Houston for six weeks. The success of this record led the Sidewalks to sign with Wand Records which then released "Need Me", also a Top 10 Hit for the band. The group was asked to open for many rock tours, including Jimi Hendrix and The Doors.
After Tom Moore and Don Summers were drafted into the United States Army, Gibbons and Mitchell added Lanier Greig and formed the original ZZ Top. They recorded the first ZZ Top record, “Salt Lick”, which was released on London Records.

While attending Warner Brothers' art school in Hollywood, California, Gibbons engaged with his first bands including The Saints, Billy G & the Blueflames, and The Coachmen. By 1967, Gibbons returned to Houston and went forward forming an artfully designed band, conceptually inspired by friend and fellow musician, Roky Erickson and The 13th Floor Elevators. The "Moving Sidewalks" name was chosen and shortly thereafter 99th Floor. Around this time Gibbons had developed quite a camaraderie with the legendary Jimi Hendrix. As a guest on The Dick Cavett Show, Hendrix would later be quoted as saying that Gibbons was slated to be the next big thing as a guitarist. The Moving Sidewalks continued to appear along with the 13th Floor Elevators at the short-lived yet legendary Houston psychedelic venue, Love Street Light Circus at Allen's Landing. The Elevators set was cut short by Houston Police who arrested the band's lead singer Roky Erickson for marijuana possession.


From: http://thesweetestpsychopath.tumblr.com/post/236220997/the-moving-sidewalks-only-album-flash-1968-a


The Moving Sidewalks only album ~ Flash (1968)
A Texas psych/garage monster !
Billy Gibbons ~ guitar, vocals & harmonica, Don Summers ~ bass, Dan Mitchell ~ drums and Tom Moore ~ keyboards.


From: http://thesweetestpsychopath.tumblr.com/post/236422595/the-moving-sidewalks-pose-for-a-portrait-with-jimi

The Moving Sidewalks pose for a portrait with Jimi Hendrix whom they had just opened for at the Municipal Auditorium on February 15, 1968 in San Antonio, Texas. Jimi Hendrix gave the Pink Fender Stratocaster he’s holding to Billy Gibbons. Gibbons told Guitar World in 1985, ” He said the color pink was not conductive to burning, so he gave it to me and said, Play on brother…”


The Moving Sidewalks ~ 99th Floor (2:17 ~ 1967)
The Billy Gibbons penned single “99th Floor” was a hit and topped the charts at #1 in Houston for six weeks. With Gibbons doin’ two lead guitars, vocals, a killer scream, and harmonica solo at the end, it’s a certified psych classic.



The Moving Sidewalks ~ Pluto - Sept 31st (5:13 ~ 1968)
A Hendrix influenced rocker featuring Billy Gibbons doin’ some cool backwards guitar and a groovy scream too !!!



The Moving Sidewalks ~ Flashback (4:46 ~ 1968)





The Moving Sidewalks ~ Scoun Da Be (2:07 ~ 1968)


Tuesday, October 27, 2009

R.I.P. Thirteenth Floor Elevators/International Artists Engineer Walt Andrus + Paradise Found

"...Walt Andrus, best known as the engineer of numerous 13th Floor Elevators sessions, has gone where the pyramid meets the eye. Andrus, who engineered many of the most famous sessions for Houston's infamous International Artists label during the psychedelic period, was living in Truth or Consequences, N.M., when he passed away from melanoma. He was 72..."

http://blogs.houstonpress.com/rocks/2009/10/rip_thirteenth_floor_elevators.php

HOUSTON PRESS
Houston Music Blog

R.I.P. Thirteenth Floor Elevators/International Artists Engineer Walt Andrus

By William Michael Smith in Catfish Reef, Miles-tones, Reverberations
Fri., Oct. 23 2009 @ 3:15PM

Andrew Brown/ Patrick Lundborg/ lysergia.com
Walt Andrus in his studio, 1967

Walt Andrus, best known as the engineer of numerous Thirteenth Floor Elevators sessions, has gone where the pyramid meets the eye. Andrus, who engineered many of the most famous sessions for Houston's infamous International Artists label during the psychedelic period, was living in Truth or Consequences, N.M., when he passed away from melanoma. He was 72.

While Andrus is most famous for his Thirteenth Floor Elevators session work, he was also involved with recording seminal Texas psychedelic acts like Lost & Found, Golden Dawn, the Red Krayola's The Parable of Arable Land, and Fever Tree's 1968 classic Another Time, Another Place. He also worked for a time with Don Robey at the Duke-Peacock label.

Easter Everywhere, considered by many to be the fullest flowering of psychedelic music, was recorded at Andrus Studios on Broadway near the Houston Ship Channel during the summer of 1967. Most International Artists material was recorded at Andrus's studio until IA purchased Gold Star studios circa 1968.

In a 1996 interview with Richie Unterberger, the Red Krayola's Mayo Thompson said of Andrus, "Walt Andrus was head of the best studio in Houston, and in that particular period, he recorded everybody. Euphoria, who were definitely West Coast psychedelic progenitors of surf music, South Bay surf music, incredible guitar playing, power trio, the bass player out of the band that made "Pipeline" or "Wipe Out" or one of those kind of things, and a great drummer and a good guitar player. What you saw with Hendrix - the same principle, taken to its highest expression. Walt recorded this album."

Andrus was instrumental in remixing the Elevators catalog for the 10-CD recent box set Sign of the 3 Eyed Men.

Funeral arrangements are pending.

8 COMMENTS

John Kanesaw says:
Walt was a great guy and a wonderful studio engineer. We recorded several records at Andrus Studios in Houston, the most well known being, "Splash 1", written by Roky Ericson, early in our career as a rock band during the late 60's in Houston, TX.
John Kanesaw - drummer for The Clique.
Posted On: Friday, Oct. 23 2009 @ 3:31PM

Charlie McGovern says:
I wonder how he miked the jug on the Thirteenth Floor Elevator stuff?
Posted On: Friday, Oct. 23 2009 @ 3:52PM

gary says:
probably with a mic....
Posted On: Friday, Oct. 23 2009 @ 4:05PM

wms says:
Just got this interesting message from Odessan Bob Bailey:

"The Shades recorded "I Am the Walrus" in Walt's studio about three weeks after the Beatles released it. We then performed it on the "IT" show. Special guest that taping for "IT" was B.J. Thomas. I tried to see if the Quad video tapes still were around but the station had just destroyed them the year I called. ( 1990's) I remember the control room guys showing me the Quad recorders which were brand new. They looked exactly like the 16 track at IA.
Posted On: Friday, Oct. 23 2009 @ 4:23PM

Brett Koshkin says:
RIP, Walt. His work with Frank Davis was some of the most amazing stuff to ever come out of our fair city.
Posted On: Friday, Oct. 23 2009 @ 5:44PM

Patrick says:
The Walt Andrus photo above comes from my International Artists label tribute page, and nowhere else.

I have another photo that shows the interior of Andrus' studio at the time of "Easter Everywhere", as well as an interview with him from 1974 where he discusses "Easter", but since people on the internet like to steal things like this without giving credit, I guess these will remain unseen.

Both my Andrus photos came from Andrew Brown, a serious Texas music researcher.

Anyway, R.I.P Walt Andrus.
Posted On: Saturday, Oct. 24 2009 @ 9:11AM

Walt Andrus Jr. says:
My father died on 10-21-09 of Melanoma at the of age 72. He was living in Truth or Consequences New Mexico at the time of his death and the studio on Broadway was in Houston.

Anyway, thank you all for the tributes.

Walt Jr.
Posted On: Saturday, Oct. 24 2009 @ 10:11PM

Chris Gray says:
The pertinent information has been corrected, and due credit/linkage given to the photo.
Thanks for letting us know, y'all.
Posted On: Monday, Oct. 26 2009 @ 10:33AM


http://drfaustroll.blogspot.com/2009/10/13th-floor-elevators-paradise-found.html

Dr FAUSTROLL blog
MARDI 27 OCTOBRE 2009

The 13th Floor Elevators - Paradise Found

Le 25 octobre, à Austin, Texas, disparaissait Walt Andrus, coupable d'avoir été l'ingénieur du son du 13th Floor Elevators pour International Artists, et coupable aussi d'avoir enregistré Lost & Found, Golden Dawn, Red Crayola... Il avait également participé activement à l'élaboration du coffret Sign of the 3 Eyed Men... Alors, Walt... Paradise Found ?

01.You're Gonna Miss Me
(First Contact Session, Andrus Studios,Houston,1-3-66)
02.Everybody Needs Somebody To Love
(Gold Star Studios,Houston,6-66)
03.I'm Gonna Love You Too
(45 Rpm - Gold Star Studios,Houston,6-66)
04.Before You Accuse Me
(45 Rpm - Gold Star Studios,Houston,6-66)
05.You Can't Hurt Me Anymore
(Gold Star Studios,Houston, 6-66)
06.Make That Girl Your Own
(Gold Star Studios,Houston, 6-66)
07.Monkey Island
(Summit Sound Studio,Dallas,10-66)
08.Thru The Rhythm
(Summit Sound Studio,Dallas,10-66)
09.Roller Coaster
(Summit Sound Studio,Dallas,10-66)
10.Fire Engine
(Summit Sound Studio,Dallas,10-66)
11.Levitation
(45 Rpm - Andrus Studio,Houston,12-66)
12.She Lives (In A Time Of Her Own)
(45 Rpm - Andrus Studio,Houston,12-1-67)
13.Dust
(Alternate - Easter Everywhere Sessions, Andrus Studio, Houston, 67)
14.Slide Machine
(Easter Everywhere Mono Mix - Andrus Studio,Houston,67)
15.Nobody To Love
(Easter Everywhere Mono Mix - Andrus Studio,Houston,67)
16.Slip Inside This House
(Easter Everywhere Mono Mix - Andrus Studio,Houston,67)
17.Right Track Now
(Easter Everywhere Sessions,Andrus Studio,Houston,9-67)
18.Splash 1
(Easter Everywhere Sessions,Andrus Studio, Houston,9-67)
19.Never Another
(Bull Of The Woods - Easter Everywhere Sessions,Andrus Studio Houston,67)
20.Fire In My Bones
(Beauty And The Beast Sessions,IA Studios,Houston,3-68)
21.I Don't Ever Want To Come Down
(Beauty And The Beast Sessions,IA Studios,Houston,3-68)
22.Livin' On
(Without Horns - Beauty And The Beast Sessions,IA Studios,Houston,3-68)
23.Scarlet And Gold
(45 Rpm - Bull Of The Woods Sessions,IA Studios,Houston,11-68)
24.May The Circle Remain Unbroken
(45 Rpm - Beauty And The Beast Sessions,IA Studios,Houston,3-68)
25.Harry Kane Show,5-67

27 OCTOBRE 2009 14:03

(Click link to original Dr FAUSTROLL blogposting if you choose to download)...

Friday, July 31, 2009

The 13th Floor Elevators - Slip Inside This House ( 1967 )

http://thesweetestpsychopath.tumblr.com/post/153193565/the-13th-floor-elevators-slip-inside-this-house

the sweetest psychopath
31 July 2009

from the album EASTER EVERYWHERE


The 13th Floor Elevators - Slip Inside This House ( 1967 )

a psychedelic masterpiece from the album Easter Everywhere

by Tommy Hall & Roky Erickson

Bedoin tribes ascending
From the egg into the flower,
Alpha information sending
States within the heaven shower
From disciples the unending
Subtleties of river power
They slip inside this house as they pass by

If your limbs begin dissolving
In the water that you tread
All surroundings are evolving
In the stream that clears your head
Find yourself a caravan
Like Noah must have led
And slip inside this house as you pass by.
Slip inside this house as you pass by.

True conception, knowing why
Brings even more than meets the eye
Slip inside this house as you pass by.

In this dark we call creation
We can be and feel and know
From an effort, comfort station
That’s surviving on the go
There’s infinite survival in
The high baptismal glow.
Slip inside this house as you pass by.

There is no season when you are grown
You are always risen from the seeds you’ve sown
There is no reason to rise alone
Other stories given have sages of their own.

Live where your heart can be given
And your life starts to unfold
In the forms you envision
In this dream that’s ages old
On the river layer is the only sayer
You receive all you can hold
Like you’ve been told.

Every day’s another dawning
Give the morning winds a chance
Always catch your thunder yawning
Lift your mind into the dance
Sweep the shadows from your awning
Shrink the fourfold circumstance
That lies outside this house don’t pass it by.

Higher worlds that you uncover
Light the path you want to roam
You compare there and discover
You won’t need a shell of foam
Twice born gypsies care and keep
The nowhere of their former home
They slip inside this house as they pass by.
Slip inside this house as you pass by.

You think you can’t, you wish you could
I know you can, I wish you would
Slip inside this house as you pass by.

Four and twenty birds of Maya
Baked into an atom you
Polarized into existence
Magnet heart from red to blue
To such extent the realm of dark
Within the picture it seems true
But slip inside this house and then decide.

All your lightning waits inside you
Travel it along your spine
Seven stars receive your visit
Seven seals remain divine
Seven churches filled with spirit,
Treasure from the angels’ mine
Slip inside this house as you pass by.
Slip inside this house as you pass by.

The space you make has your own laws
No longer human gods are cause
The center of this house will never die.

There is no season when you are grown
You are always risen from the seeds you’ve sown
There is no reason to rise alone
Other stories given have sages of their own.

Draw from the well of unchanging
Its union nourishes on
In the right re-arranging
Till the last confusion is gone
Water-brothers trust in the ultimust
Of the always singing song they pass along.

One-eyed men aren’t really reigning
They just march in place until
Two-eyed men with mystery training
Finally feel the power fill
Three-eyed men are not complaining.
They can yo-yo where they will
They slip inside this house as they pass by.
Don’t pass it by.


(Go to original blogpost at: http://thesweetestpsychopath.tumblr.com/post/153193565/the-13th-floor-elevators-slip-inside-this-house to listen & download)